Cineteca Nacional: Diccionario de directores de cine mexicano (read more…)

Frank Hui: Life for most of us is not a scripted movie filled with amazing heroics or world-ending disasters. It consists of good moments that we take in and frustrating hurdles that we try to overcome. Neither a fairy tale nor a nightmare, it’s just life. If we’re lucky and strong enough we can face the obstacles and deal with them-and perhaps even achieve some happiness. The feature "Tierra Madre" encapsulates this perfectly. (read more...)

New York Times: On the Mexican border, erotic dancer Aidee Gonzalez struggles to raise her children, first alone and then with a new girlfriend, Rosalba, who works at the same club. When Rosalba decides to get pregnant, Aidee agrees to help her find a male donor but makes sure he is not an attractive romantic option for Rosalba. The arrival of the new child changes the family dynamic, forcing Aidee to reach out to friends and build the family she genuinely needs. ~ Baseline StudioSystems (read more...)

Time Out: The main feature is Dylan Verrechia's Mother Earth (Tierra Madre) about a woman struggling to keep her family together; a Q&A session with the filmmakers follows the screenings (read more...)

Arizona Daily Star: "Tierra Madre" is cinematically strong and offers a glimpse into experiences we have rarely, if ever, seen on film. ~ Beverly Seckinger (read more...)

Morelia International Film Festival: Winner X-Rays - 8• FICM / Interview with Dylan Verrechia. What moved you most in this story? Aideé’s struggle to provide her children with a good education. That’s the reason behind all of my projects: the place that we give to children. (read full interview in English...)

Correcamara: "Tierra madre" es un ejemplo puntual de que se puede hacer cine de manera transgresora, con una cámara de video, tres personas y sin depender de grandes presupuestos; pero también, de que el modo de producción marca el ritmo de la historia, pero no es la historia. Si Lucrecia Martel le hace justicia, "Tierra madre" tendría que erigirse con El Ojo al mejor largometraje de esta edición. (read more...)

Los Angeles Times: The filmmakers were on hand at the premiere screening in Morelia. Gonzalez was received with cheers and applause, with several audience members congratulating her for "bravely" demonstrating her truth as a woman, lesbian, stripper and native of the Tijuana border region. (read more...)

CNN Mexico: Entre la realidad y la ficción. De acuerdo con el género del falso documental, predominan las situaciones cotidianas, como en la que un grupo de mujeres charla en grupo sobre sus relaciones sexuales, lo que provoca la risa del público. El aspecto de la homosexualidad está tratado de manera casi tangencial, ya que las relaciones de la protagonista con otras mujeres son fruto de "una relación de cariño, de complicidad y solidaridad, más que de motivos sexuales", explica Verrechia. De este modo, se convierte en otra circunstancia y no el asunto principal de la cinta. (read more...)

Don't Label It!: Surreal Life. "Tierra madre" (Director: Dylan Verrechia), Shot in black and white with a stark documentary feel, this narrative tells the true story of Aidee Gonzalez. (read more...)

Fandango: One woman's struggle to find happiness under trying circumstances sets the stage for this drama from Mexican filmmaker Dylan Verrechia. Aidee Gonzalez (playing herself) was born and raised in a poor community and has struggled to make something of her life after ridding herself of a marriage to a shiftless and uncaring man. Aidee supports herself and her children as an exotic dancer, and her work at a shabby nightclub led her to meet Rosalba (Rosalba Venezuela), with whom she's finally found a loving relationship. Aidee and Rosalba want to buy a house together and start a family of their own; to that end, Aidee is saving her money to the extent that's possible, and Rosalba is looking for a man handsome enough to be a proper sperm donor (but not so good looking to charming that he's likely to steal Aidee away from her). Tierra Madre (aka Mother Earth) was an official selection at the 2010 San Francisco International LGBT Film Festival. ~ Mark Deming, Rovi (read more...)

Poder Edomex: Por lo demás, en la elección de la protagonista respecto a su sexualidad no parece haber una postura ideológica, ni siquiera una reivindicación de género, y su decisión de compartir la vida con otra mujer tiene que ver más con el rechazo al machismo reinante que con su preferencia sexual. (read more...)

New York Times: A young man will go to any lengths to make his dream come true in this independent drama from writer and director Dylan Verrechia. (read more...)